My small part in Pop Culture
In October 2015 the last of the big three pop culture conventions rolled into town, the Australian Movie and Comic (AMC) Expo was being held over the weekend of the 17th-18th and I popped into the Melbourne Show Grounds to lend support to the publisher of a comic that was featuring two of my stories: Darren Koziol of Dark Oz publishing.
Darren Koziol’s mother Gillian says that anyone else with his initials would probably never utilize them or be scarred for life. She made this joke as we were going over the logos of Dark Oz’s DECAY comic the bi-annual horror anthology that has just reached its milestone 20th edition. Gillian was referring how Darren’s name and love of the horror genre has been used in a rather imaginative way in his publications branding. Decay of course comes from his initials why Dark Oz is made up from the first three letters of his name.
Darren began DECAY as a labour of love back in March 2010 writing stories, compiling other talent and editing in his own time. That he now has released twenty issues and become the longest running Australian horror anthology with over 150 creators contributing is a grand accomplishment considering he is still self-publishing. Along the way he has made friendships that has resulted in some of Australia’s top artists contributing as well as others as far flung as the UK, USA and Argentina.
Darren’s belief in his comic has taken him all over Australia attending the various pop culture conventions promoting and bringing his product to the market place. Based in South Australia Darren has since an early age been fascinated by horror, fantasy and science fiction, with a genuine affection for the earlier styles as opposed to the more modern high tech. effect laden movies of the last decades. This has been carried through with DECAY’s sister publication RETRO SCI-FI which comes out once a year, usually in tandem with one of the twice yearly DECAY comics.
While talking to Darren it is evident he is very proud of his achievements, more so with issue twenty because this comic he has designed and the lay out himself as well as contributed lettering (a new skill he taught himself) because of necessity due to the unavailability of others who he had relied on in the past. Another milestone was the republishing of the CUTHULU (stories based on the popular H.P Lovecraft monster) issue as an US comic standard size. The CUTHULU issue was one of the more popular comics with an original commanding a price tag of $150. Needless to say they were a popular item and good seller at the convention.
Darren’s enthusiasm is still high with each issue getting that little bit more notice and sleeker in quality, one of Darren’s stories was picked up by International SciFi/Fantasy magazine Heavy Metal last year, so the rewards can be measured.
In these days of Kickstarter, short lived anthologies that run out of steam by the second issue and Aussie publishers that only release a four arc comic series one issue a year at a time it is great to have Darren and DECAY helping putting new creators and exciting stories out at a regular schedule and giving Aussie comics the shot in the arm it constantly needs.
For more information on the comic: www.darkoz.com.au
originally published in the BBCN issue 239 Nov 2015
Friday, August 31, 2018
DAVE DYE - The ANZAC Legend Graphic Book
Dave Dye’s The ANZAC Legend
Recently at the AMC Expo – a convention that caters for all things Geeky, such as comics, movies, collectibles and lots of normally sane people dressing up in rather elaborate and crazy outfits- It is also a great place to meet other Australian artists and writers. I was fortunate to catch up with author/artist Dave Dye. Dave is responsible for the ridiculously well researched history book told in graphic novel form: The ANZAC Legend. Dave’s passion for the project comes from his 28 years served in the Australian Regular Army where he obtained his Diploma of Visual Arts and where he worked amongst other areas in the Intelligence Battalion. Dave’s work as an illustrator was varied including signage, education and propaganda. This work even led him to a stint in Iraq before he retired to concentrate on his Magnum Opus. The ANZAC Legend is novel as it is told in sequential form (as in comic book) and makes it more accessible as the reader follows the events that led up to, include and go beyond the Gallipoli landing. On his retirement Dave spent three years and over 5,000 hours preparing the book which includes detailed maps drawn from Dave’s first-hand view of the area after taking countless photos on his trips to the peninsula. In writing the book Dave has tried to keep it historically accurate and clearing up certain myths that grow over time due to conjecture and short cuts in storytelling. While not a complete history of Australia and New Zealand’s involvement in the Great War, the ANZAC Legend as Dave puts it: ”The book was created to act as a record of the events from the declaration of war, through those leading up to an including the landing on the 25th of April 1915 at Ari Burnu by the ANZAC’s. It also records the events of the first week and a half after the landing….The story is presented in a manner which makes it easier for the layman to understand why, who, where and what took place.” I believe he has done a sterling job in presenting a comprehensive and easy to read history that is compelling and suits all ages.
From students to history and war buffs. Dave hasn’t ruled out going beyond this book and continues to tell more of the involvement of the ANZAC’s in World War One, but at this stage it’s one book at a time. The book itself produced by Dave’s own publishing house Wotsleft Books was originally released in 2014 and contains over 200 pages detailed pages. It has been well received winning ComicOz “Best Australian Original Comic Book of 2014” as well as being short listed in the 2014 Ledger Awards – the Oscars of Australian comics. Dave works as a freelance illustrator these days operating out of Mildura. You can find out more about Dave and purchase the ANZAC Legend at www.wotsleftbooks.weebly.com
Recently at the AMC Expo – a convention that caters for all things Geeky, such as comics, movies, collectibles and lots of normally sane people dressing up in rather elaborate and crazy outfits- It is also a great place to meet other Australian artists and writers. I was fortunate to catch up with author/artist Dave Dye. Dave is responsible for the ridiculously well researched history book told in graphic novel form: The ANZAC Legend. Dave’s passion for the project comes from his 28 years served in the Australian Regular Army where he obtained his Diploma of Visual Arts and where he worked amongst other areas in the Intelligence Battalion. Dave’s work as an illustrator was varied including signage, education and propaganda. This work even led him to a stint in Iraq before he retired to concentrate on his Magnum Opus. The ANZAC Legend is novel as it is told in sequential form (as in comic book) and makes it more accessible as the reader follows the events that led up to, include and go beyond the Gallipoli landing. On his retirement Dave spent three years and over 5,000 hours preparing the book which includes detailed maps drawn from Dave’s first-hand view of the area after taking countless photos on his trips to the peninsula. In writing the book Dave has tried to keep it historically accurate and clearing up certain myths that grow over time due to conjecture and short cuts in storytelling. While not a complete history of Australia and New Zealand’s involvement in the Great War, the ANZAC Legend as Dave puts it: ”The book was created to act as a record of the events from the declaration of war, through those leading up to an including the landing on the 25th of April 1915 at Ari Burnu by the ANZAC’s. It also records the events of the first week and a half after the landing….The story is presented in a manner which makes it easier for the layman to understand why, who, where and what took place.” I believe he has done a sterling job in presenting a comprehensive and easy to read history that is compelling and suits all ages.
Over 200 pages of finely detailed work. |
Dave Dye (Left) |
Thursday, August 30, 2018
REPLICATOR comic book review
COMIC REVIEW
Replicator #1
Self-published via Kickstarter 2016
Writer: Robert Arnold
Artist: Armin Ozdic
Colourist: Ross A Campbell
Letterer: Jaimie Me
Editors: Nick Glenister, Alison Arnold
I’ve always loved me a near future dystopian/plague/climate calamity yarn, so when I read the opening pages of REPLICATOR, I knew I was in for a treat.
The comic tells the story of a deliberately released virus called the Red Death in modern day Britain that forces the country to be isolated generating food shortages and martial law. Eventually forcing the healthy (and rich and useful) to shelter in a walled city called Sanctuary guarded by the latest and the deadliest of men and technology.
Life goes on outside of Sanctuary but the ones left behind are reminded that those inside are far more precious and any indiscretion committed against those from Sanctuary if they leave the city (illegally) are swiftly executed.
This is where we meet our protagonist Ryker. Whose sense of justice seems to fall short of what is required by the security forces. Blank faced, armour wearing humans without much compassion.
Actually, we first meet a totally different and more aggressive Ryker just prior to this. In a two page shoot-em-up involving powerful hand guns, grenades and what looks like a super villain, that happens 18 months in the future. Obviously, Ryker has had some life changing episodes since then that we are going to eventually find out.
There are a few scenes in this first issue that hint at conspiracy and super powers.
These are entertaining and well-paced, it all finishes all too quickly on a cliff hanger ending and the reader is left not sure where everything is going.
Thus the problem at hand.
This comic being a successful Kickstarter project only committed to this issue are we going to see what happens next within my lifetime? I hope so because this has the makings of a great series.
Rob Arnold has created a great story and draws the reader in. Artist Armin Ozdic style reminds me of both Javier Berreno and Fernando Melek from Simon Spurrier’s Crossed tale Wish You Were Here. Clean and neat and when asked to draw a splash, really delivers.
I enjoyed REPLICATOR and look forward to more, I just wish it wasn’t something far off on the horizon than something I could pick up next month at the LCS.
For more info:
Replicator #1
Self-published via Kickstarter 2016
Writer: Robert Arnold
Artist: Armin Ozdic
Colourist: Ross A Campbell
Letterer: Jaimie Me
Editors: Nick Glenister, Alison Arnold
I’ve always loved me a near future dystopian/plague/climate calamity yarn, so when I read the opening pages of REPLICATOR, I knew I was in for a treat.
The comic tells the story of a deliberately released virus called the Red Death in modern day Britain that forces the country to be isolated generating food shortages and martial law. Eventually forcing the healthy (and rich and useful) to shelter in a walled city called Sanctuary guarded by the latest and the deadliest of men and technology.
Life goes on outside of Sanctuary but the ones left behind are reminded that those inside are far more precious and any indiscretion committed against those from Sanctuary if they leave the city (illegally) are swiftly executed.
This is where we meet our protagonist Ryker. Whose sense of justice seems to fall short of what is required by the security forces. Blank faced, armour wearing humans without much compassion.
Actually, we first meet a totally different and more aggressive Ryker just prior to this. In a two page shoot-em-up involving powerful hand guns, grenades and what looks like a super villain, that happens 18 months in the future. Obviously, Ryker has had some life changing episodes since then that we are going to eventually find out.
There are a few scenes in this first issue that hint at conspiracy and super powers.
Lovely colour work by Ross A Campbell |
Thus the problem at hand.
This comic being a successful Kickstarter project only committed to this issue are we going to see what happens next within my lifetime? I hope so because this has the makings of a great series.
Rob Arnold has created a great story and draws the reader in. Artist Armin Ozdic style reminds me of both Javier Berreno and Fernando Melek from Simon Spurrier’s Crossed tale Wish You Were Here. Clean and neat and when asked to draw a splash, really delivers.
I enjoyed REPLICATOR and look forward to more, I just wish it wasn’t something far off on the horizon than something I could pick up next month at the LCS.
A haunting Splash Page by Armin Ozdic |
For more info:
Wednesday, August 29, 2018
RETRO SCI-FI Vol. 3
RETRO SCI-FI Vol. 3
This week end at the Adelaide OZ ComicCon Dark Oz is releasing 2 titles: DECAY No.21 and Retro Sci-Fi Volume 3. Carlos Angeli and I team up again to have a bit of fun in the Space Opera spoof Foe Killer Jones And The Vortex OF Discovery (a more pretentious title I could never ever think of again) Darren Koziol will be selling copies at the Dark Oz stall and also the following weekend in Melbourne at the Supanova convention which is being held at the Exhibition Centre.
If you can't make the cons and you want to buy a copy, you can go on line and purchase them at www.darkoz.com.au
Here is a sample of my story and the covers (including DECAY variant) of the new releases.
This week end at the Adelaide OZ ComicCon Dark Oz is releasing 2 titles: DECAY No.21 and Retro Sci-Fi Volume 3. Carlos Angeli and I team up again to have a bit of fun in the Space Opera spoof Foe Killer Jones And The Vortex OF Discovery (a more pretentious title I could never ever think of again) Darren Koziol will be selling copies at the Dark Oz stall and also the following weekend in Melbourne at the Supanova convention which is being held at the Exhibition Centre.
If you can't make the cons and you want to buy a copy, you can go on line and purchase them at www.darkoz.com.au
Here is a sample of my story and the covers (including DECAY variant) of the new releases.
Tuesday, August 28, 2018
DECAY ISSUE 20
Two of my scripts/stories have appeared in the latest edition of Dark Oz's DECAY . Australia's longest running horror anthology. I was under the belief that only one was to appear with another to be published next year as well as a story being run in DECAY's sister publication RETRO SCI-FI. So we'll see how that pans out.
Jason Paulos and Dave Dye Australian comic book legends also make an appearance in this colourful gore-fest not for the squeamish. Of course I can't be objective since I'm in it so this isn't a review just a call to go out and buy the thing and promote Aussie comics.
The Night Before Christmas is about two young aliens on "schoolies" who cause all kinds of mischief and ultimately stack their Dad's car ruining Christmas for everyone. Literally
Artwork is supplied by the talented Argentinian Carlos Angeli. With Letters done by Dark Oz editor Darren Koziol.
The second is a story I wrote for the OZ ZOMBIE universe and tells the story of a lone survivor looking for lodgings in the abandoned upper crust residences of apocalyptic Melbourne.
This one was drawn by someone I know nothing of or have any contact for, a local by the name of Mick Anderson.
DARK OZ DECAY and RETRO SCI-FI as well as selected back Issues are available here.
This is a composite of the content titles in this issue.
Cover art for DECAY 20 |
The Night Before Christmas is about two young aliens on "schoolies" who cause all kinds of mischief and ultimately stack their Dad's car ruining Christmas for everyone. Literally
Artwork is supplied by the talented Argentinian Carlos Angeli. With Letters done by Dark Oz editor Darren Koziol.
The second is a story I wrote for the OZ ZOMBIE universe and tells the story of a lone survivor looking for lodgings in the abandoned upper crust residences of apocalyptic Melbourne.
This one was drawn by someone I know nothing of or have any contact for, a local by the name of Mick Anderson.
DARK OZ DECAY and RETRO SCI-FI as well as selected back Issues are available here.
This is a composite of the content titles in this issue.
Monday, August 27, 2018
Review-HOME BREW VAMPIRE BULLETS Number Two
Review HOME BREW VAMPIRE BULLETS Number Two
Contributors: Various, Edited by Garth Jones
Then
In the tradition of Alan Moore's Dodgem Logic, Tales from the Crypt, 2000AD, Oz Magazine and Metal Hurlant, Home Brew Vampire Bullets is an anthology of 75% R-rated (but not necessarily adult), uniquely Aussie myth spinning, prose, politics and pulp soundtracked by Rose Tatts, soaked in Melbourne Bitter and dyed defiantly navy blue.
Now
Home Brew Vampire Bullets is an Australian pulp narrative anthology showcasing comics, gonzo journalism, scathing political polemics and MORE.
Available as Digital download and Print On Demand Details Here
HOME BREW VAMPIRE BULLETS Number Two was delivered on time as promised and with it a few surprises. As an anthology it is still finding its feet,, experimenting with content and styles.
A direction I’m quite pleased with,
This issue is more reminiscent of Dodgem Logic and Oz than the first which was heavy with sequential and satire pieces. Slightly larger than issue One it features Aussie comedian heavyweights Tony Martin and Justin Hamilton and top of their game comic contributors such as Sacha Bryning, Dean Rankine, Scott Fraser, Matthew Huynh and Matthew Dunn amongst others. This issue sees the first issue sequentials tucked away (with the exception of Scott Fraser’s Melbourne based supernatural turf war piece, SHADOW RUMBLE) the vacant pages have been jammed packed with essays, prose and pictorials which take nothing way from the original anthology concept but totally enhance it. Respected scribes Emma Beddows, Emmet O’Cuana, John Harrison and Laura Crawford provide informative and entertaining pieces as interesting as they are insightful and Kellie Gollings’ ABANDO photography is gorgeously reproduced and is a great argument for the procurement of the printed version. With the he addition of Turd Circus’ Tony Lewis we are also privy to some of the funniest satire you’ll see in Australia at the moment. The thing HBVB has going for it that I admire is that it has real “I’m a bastard, so what? “ attitude, (just check out the provocative cover for proof) and wants to push the boundaries of safe traditional magazines. Who knows? Maybe the time is right to bundle everybody’s differing ideas into one package and fuck the niche markets. HBVB has a massive potential as a new outlet for established and new talent and its bold graphic design and content is loud enough to be noticed within the mainstream and hopefully scare it enough to take notice.
Issue Three promises the return of the sequential pieces BOLT, MARALINGA, HEAVY ANGEL, BABALON SHOKK and HOLT which were a large part of the promotion of Issue One,
BRING ON ISSUE THREE.
Contributors: Various, Edited by Garth Jones
Then
In the tradition of Alan Moore's Dodgem Logic, Tales from the Crypt, 2000AD, Oz Magazine and Metal Hurlant, Home Brew Vampire Bullets is an anthology of 75% R-rated (but not necessarily adult), uniquely Aussie myth spinning, prose, politics and pulp soundtracked by Rose Tatts, soaked in Melbourne Bitter and dyed defiantly navy blue.
Now
Home Brew Vampire Bullets is an Australian pulp narrative anthology showcasing comics, gonzo journalism, scathing political polemics and MORE.
Available as Digital download and Print On Demand Details Here
HOME BREW VAMPIRE BULLETS Number Two was delivered on time as promised and with it a few surprises. As an anthology it is still finding its feet,, experimenting with content and styles.
A direction I’m quite pleased with,
This issue is more reminiscent of Dodgem Logic and Oz than the first which was heavy with sequential and satire pieces. Slightly larger than issue One it features Aussie comedian heavyweights Tony Martin and Justin Hamilton and top of their game comic contributors such as Sacha Bryning, Dean Rankine, Scott Fraser, Matthew Huynh and Matthew Dunn amongst others. This issue sees the first issue sequentials tucked away (with the exception of Scott Fraser’s Melbourne based supernatural turf war piece, SHADOW RUMBLE) the vacant pages have been jammed packed with essays, prose and pictorials which take nothing way from the original anthology concept but totally enhance it. Respected scribes Emma Beddows, Emmet O’Cuana, John Harrison and Laura Crawford provide informative and entertaining pieces as interesting as they are insightful and Kellie Gollings’ ABANDO photography is gorgeously reproduced and is a great argument for the procurement of the printed version. With the he addition of Turd Circus’ Tony Lewis we are also privy to some of the funniest satire you’ll see in Australia at the moment. The thing HBVB has going for it that I admire is that it has real “I’m a bastard, so what? “ attitude, (just check out the provocative cover for proof) and wants to push the boundaries of safe traditional magazines. Who knows? Maybe the time is right to bundle everybody’s differing ideas into one package and fuck the niche markets. HBVB has a massive potential as a new outlet for established and new talent and its bold graphic design and content is loud enough to be noticed within the mainstream and hopefully scare it enough to take notice.
Issue Three promises the return of the sequential pieces BOLT, MARALINGA, HEAVY ANGEL, BABALON SHOKK and HOLT which were a large part of the promotion of Issue One,
BRING ON ISSUE THREE.
DECAY Issue 18 Review
Dark Oz DECAY is Australia’s longest running independent horror comic.
Those unfamiliar with DECAY, it is the brain child of South Australian resident Darren Koziol (The DK in DECAY) who, as well as writing and creating themes, tirelessly edits, publishes and travels around the country to various conventions promoting the comic and its contributing artists. This means he can put out at least two editions a year where others falter. This hard work has come to fruition when one of the DECAY stories was picked up by SciFI/Fantasy icon Heavy Metal.
DECAY caters to the gore hounds, slasher fans and horror buffs but in a distinctly Aussie way. DECAY is full on mature reading fun that revels in its unrestricted format. Koziol has created recurring characters such as The Sisters, three ageless sexy vampires who have a long history of mayhem and carnage and the Oz Zombie themed stories telling stories of the aftermath of the zombie apocalypse in an Australian environment and other artist are free to explore and build on these stories.
The latest edition of DECAY, (Issue 18) was released to coincide with the Sydney- Brisbane Comicon double header. It is an A4 sized comic in both colour and black and white and printing is high quality. At $8 a copy it is great value when compared against the monthly mainstream imports. Its front cover prepares the reader for what's in store and the first story Sister: Class of 2014 leaves them in no doubt the cover was in any way a false advertisement, all in vivid colour. With 27 writers and artists (check the screen grab below for more details) making up the contributors list and there is plenty of variety in story and styles. Colour is used to great effect in the stories Sisters: Harvest and the Oz Zombie based Papa gone a huntin’ just as the modern gothic of The Lazarus Box and the patient revenge of The Forgotten Patrol are as effective in black and white. A favourite would have to be Adoption. Katrina Young’s artwork with the gentle colour wash is a brilliant accompany to Brendan Crates story. The animal characters expressions reminded me of Frank Quietly’s art in We3.
The Selkie and The Cure are other stories that stand out for a short sharp shock.
DECAY deserves your support because it offers something other Aussie comics can’t. Consistency, in quality and delivery.
A great read for a good price and worth it just for the great Chris Wahl artwork on the back cover.
Danny Nolan
Those unfamiliar with DECAY, it is the brain child of South Australian resident Darren Koziol (The DK in DECAY) who, as well as writing and creating themes, tirelessly edits, publishes and travels around the country to various conventions promoting the comic and its contributing artists. This means he can put out at least two editions a year where others falter. This hard work has come to fruition when one of the DECAY stories was picked up by SciFI/Fantasy icon Heavy Metal.
DECAY caters to the gore hounds, slasher fans and horror buffs but in a distinctly Aussie way. DECAY is full on mature reading fun that revels in its unrestricted format. Koziol has created recurring characters such as The Sisters, three ageless sexy vampires who have a long history of mayhem and carnage and the Oz Zombie themed stories telling stories of the aftermath of the zombie apocalypse in an Australian environment and other artist are free to explore and build on these stories.
The latest edition of DECAY, (Issue 18) was released to coincide with the Sydney- Brisbane Comicon double header. It is an A4 sized comic in both colour and black and white and printing is high quality. At $8 a copy it is great value when compared against the monthly mainstream imports. Its front cover prepares the reader for what's in store and the first story Sister: Class of 2014 leaves them in no doubt the cover was in any way a false advertisement, all in vivid colour. With 27 writers and artists (check the screen grab below for more details) making up the contributors list and there is plenty of variety in story and styles. Colour is used to great effect in the stories Sisters: Harvest and the Oz Zombie based Papa gone a huntin’ just as the modern gothic of The Lazarus Box and the patient revenge of The Forgotten Patrol are as effective in black and white. A favourite would have to be Adoption. Katrina Young’s artwork with the gentle colour wash is a brilliant accompany to Brendan Crates story. The animal characters expressions reminded me of Frank Quietly’s art in We3.
The Selkie and The Cure are other stories that stand out for a short sharp shock.
DECAY deserves your support because it offers something other Aussie comics can’t. Consistency, in quality and delivery.
A great read for a good price and worth it just for the great Chris Wahl artwork on the back cover.
Danny Nolan
SAMPLE OF ARTWORK FROM DECAY #18
Gorgeous artwork from ADOPTION |
CAST AND CREW
Sunday, August 26, 2018
Home Brew Vampire Bullets Issue One. REVIEW
Home Brew Vampire Bullets Issue One.
Published by HBVB Editor: Garth Jones Available as
digital download: Scribd ( AUD$6.99 ) P.O.D thru BLURB (AUD$34.99)
Good previews available on both sites.
I suppose it’s a hallmark of the age we live in, the need to have something quickly, not to draw things out. The collective attention span of the Internet is short, to use a polite word. Where comics and magazines were once seen in the deep dark past as ephemeral, one has to think what digital downloads are going to be seen as in the next decade or so. I like my books and magazines and comics/comix.
I'm a tactile kind of guy but I'm also a realist who knows that the best new stuff appears on the web first and production costs for something to buy at your favourite shop are prohibitive for the small publisher. So if you want to wait a couple of weeks and pay through the nose to hold a book in your hand or have it now for next to nothing and still hold it in your hand albeit a tablet. That is a choice you have to make sooner than later.
There is a point to this babble.
Home Brew Vampire Bullets released its 60 page anthology in late September to a warm reception. It whetted the appetite for what was to come and at US$1.99 in 4 different formats it was a bargain to boot. It lived up to its promise of a larrikin publication inspired by ozploitation movies, good ol’ pub rock and the great underground press of the 1970s. Expectation for issue one (I speak only for myself here) was very high. Now I've got it and read it, I wish I wasn't so impatient. A good slab of issue one appeared in the anthology and kind of spoiled it a bit, thinking about this I thought maybe the publishers could have spread some of the singular pieces over the next couple of issues perhaps?. That aside (and the download problem I had, gallantly and quickly rectified by HBVB main man Garth Jones) the magazine itself is a beautifully designed piece of work , with excellent colour and graphics that makes you feel you are holding something of value (and at $34.99 P.O.D …..well, you are!)
Garth Jones as helmsman has done a truly remarkable job to give it a unique feel. The collection of artists and writers will no doubt help move some copies but its whether the stories themselves and their length as continuous pieces will bring people back. Christian Read takes a giant slice of the writers credits, a well known and respected figure he keeps it simple with R.S HELL and PALE MAGIC, stories with a haunting/poltergeist type bent. It’s when we hit BABALON SHOKK with (that man again) Garth Jones that we get into some meaty story line that leaves you wanting more. It’s just a pity the majority of it was used to heavily push the anthology. The prose pieces where enjoyable, though DINGOES was hard to read on my iPad due to background colours. But Micca Delaney’s words (or where they Scott Frasers?) kept me jumping hurdles.
Christian Read's DEVIL IN AUSTRALIA and Nick Lewis’ THE AUSTRALIAN MOTOR ENTHUSIASTS GUIDE are as good a pieces of satire you'll see anywhere these days, both a highlight. The artist as story teller is carried by Scott Fraser in SHADOW RUMBLE, Simon Sherry with HEAVY ANGEL and Mathew Dunn's CEO.
The stand out pieces as sequentials are definitely MARALINGA , THE MANY HAROLD HOLTS OF SPACE AND TIME and BOLT These three stories will make me come back for more. The artwork in MARALINGA by Doug Holgate is a joy to look at and I found myself going over the landscape of a ruined Melbourne over and over again. The Ozploitation tag really hits high gear (and an R rating) with Mark Selan and Steve Martinez’s LUST OF CONVICTED VIXENS. This piece of sexy fun took me back to Slow Death Comix with Rand Holmes and Jaxon from the 1970s underground. Chuck in a few more stories about ignorant gangsters GUSTY SMYTHE and more devilish stories THE DEVIL IS IN THE DETAIL with some leftie political essays in some of the other written pieces (including some fun faux adverts) and you get a great mixture for a good solid read and at a 152 pages enough to keep you satisfied until Autumn when the next issue is due.
I know I'm greedy but I was expecting a bit more of the stories already featured in HBVB ZERO.
Published by HBVB Editor: Garth Jones Available as
digital download: Scribd ( AUD$6.99 ) P.O.D thru BLURB (AUD$34.99)
Good previews available on both sites.
I suppose it’s a hallmark of the age we live in, the need to have something quickly, not to draw things out. The collective attention span of the Internet is short, to use a polite word. Where comics and magazines were once seen in the deep dark past as ephemeral, one has to think what digital downloads are going to be seen as in the next decade or so. I like my books and magazines and comics/comix.
I'm a tactile kind of guy but I'm also a realist who knows that the best new stuff appears on the web first and production costs for something to buy at your favourite shop are prohibitive for the small publisher. So if you want to wait a couple of weeks and pay through the nose to hold a book in your hand or have it now for next to nothing and still hold it in your hand albeit a tablet. That is a choice you have to make sooner than later.
There is a point to this babble.
Home Brew Vampire Bullets released its 60 page anthology in late September to a warm reception. It whetted the appetite for what was to come and at US$1.99 in 4 different formats it was a bargain to boot. It lived up to its promise of a larrikin publication inspired by ozploitation movies, good ol’ pub rock and the great underground press of the 1970s. Expectation for issue one (I speak only for myself here) was very high. Now I've got it and read it, I wish I wasn't so impatient. A good slab of issue one appeared in the anthology and kind of spoiled it a bit, thinking about this I thought maybe the publishers could have spread some of the singular pieces over the next couple of issues perhaps?. That aside (and the download problem I had, gallantly and quickly rectified by HBVB main man Garth Jones) the magazine itself is a beautifully designed piece of work , with excellent colour and graphics that makes you feel you are holding something of value (and at $34.99 P.O.D …..well, you are!)
Garth Jones as helmsman has done a truly remarkable job to give it a unique feel. The collection of artists and writers will no doubt help move some copies but its whether the stories themselves and their length as continuous pieces will bring people back. Christian Read takes a giant slice of the writers credits, a well known and respected figure he keeps it simple with R.S HELL and PALE MAGIC, stories with a haunting/poltergeist type bent. It’s when we hit BABALON SHOKK with (that man again) Garth Jones that we get into some meaty story line that leaves you wanting more. It’s just a pity the majority of it was used to heavily push the anthology. The prose pieces where enjoyable, though DINGOES was hard to read on my iPad due to background colours. But Micca Delaney’s words (or where they Scott Frasers?) kept me jumping hurdles.
Christian Read's DEVIL IN AUSTRALIA and Nick Lewis’ THE AUSTRALIAN MOTOR ENTHUSIASTS GUIDE are as good a pieces of satire you'll see anywhere these days, both a highlight. The artist as story teller is carried by Scott Fraser in SHADOW RUMBLE, Simon Sherry with HEAVY ANGEL and Mathew Dunn's CEO.
The stand out pieces as sequentials are definitely MARALINGA , THE MANY HAROLD HOLTS OF SPACE AND TIME and BOLT These three stories will make me come back for more. The artwork in MARALINGA by Doug Holgate is a joy to look at and I found myself going over the landscape of a ruined Melbourne over and over again. The Ozploitation tag really hits high gear (and an R rating) with Mark Selan and Steve Martinez’s LUST OF CONVICTED VIXENS. This piece of sexy fun took me back to Slow Death Comix with Rand Holmes and Jaxon from the 1970s underground. Chuck in a few more stories about ignorant gangsters GUSTY SMYTHE and more devilish stories THE DEVIL IS IN THE DETAIL with some leftie political essays in some of the other written pieces (including some fun faux adverts) and you get a great mixture for a good solid read and at a 152 pages enough to keep you satisfied until Autumn when the next issue is due.
I know I'm greedy but I was expecting a bit more of the stories already featured in HBVB ZERO.
Doug Holgate's MARALINGA artwork |
Simon Sherry's Heavy Angel artwork in colour |
Mathew Dunn's CEO artwork |
Saturday, August 25, 2018
Flashback 2011
It's that time of the year again when the Flash Fiction group over at the rather less important than it use to be Red Bubble thanks to their absolute lack of support for writing.
But somehow even under those repressive conditions the group has managed to thrive and thanks to the many wonderful contributors another volume of the Best Of has been published.
I actually had a hand in this one but most of the glory sits squarely on the lovely Anne van Alkermade's shoulders who edited the whole book and supplied her ISBN for publishing immortality in the National Library.
Catherine Swanson supplied some inspired cover art as well as some of the most clever stories.
I did some proof reading, which is like asking a five year old to look after a sand castle, if you get my drift.
So check it out here and buy a copy if you feel the need.
There are some wonderful and rather witty works in there.
The must see section would have to be the Barbara Cartland Challenge.
It will bring tears of laughter and may stir a loin or two.
Here's a couple of my stories.
Everyone reacts differently
He’d been at the door for hours now.
Just standing in the doorway with his “army” hat he’d made so that it looked just like his dad’s.
His mother was still lying on the bed sobbing uncontrollably clutching the official letter that arrived that afternoon.
In a scene of subtle synchronicity, the boy saluted the sun as it set in the mid winter sky just as his mother dropped the letter onto the floor.
As of tonight the world as they knew it would take a whole new course, meanwhile the cat went from room to room trying to get either’s attention so it could be fed.
Route 66, Critters 0
“I spy with my little eye something begging with E”
BOOINK!
“hahahha”
“I spy with my little eye something beginning with K”
BANG!
“HAHAHA”
“I spy with my little eye something begging with W”
BOOMP! BOMP! Thud Thud Thud
“Ooops”
“Right I hope you two are happy now “ cried Mum “ If you were that bored we could have stopped for a while gone for a walk. That Wombat has done some serious damage.”
Barbra Cartland NOT
He couldn’t stand it any longer.
It should be paradise.
The four poster bed, the silk sheets, the lace pillows and beautiful views from the second floor balcony just two steps away.
But it wasn’t, it was a hellish experience.
Here he was, the world’s most eligible bachelor in a villa surrounded by middle aged housewives .
The collective sound of heaving breasts making it impossible to sleep on his first vacation in years.
But somehow even under those repressive conditions the group has managed to thrive and thanks to the many wonderful contributors another volume of the Best Of has been published.
I actually had a hand in this one but most of the glory sits squarely on the lovely Anne van Alkermade's shoulders who edited the whole book and supplied her ISBN for publishing immortality in the National Library.
Catherine Swanson supplied some inspired cover art as well as some of the most clever stories.
I did some proof reading, which is like asking a five year old to look after a sand castle, if you get my drift.
So check it out here and buy a copy if you feel the need.
There are some wonderful and rather witty works in there.
The must see section would have to be the Barbara Cartland Challenge.
It will bring tears of laughter and may stir a loin or two.
Here's a couple of my stories.
Everyone reacts differently
He’d been at the door for hours now.
Just standing in the doorway with his “army” hat he’d made so that it looked just like his dad’s.
His mother was still lying on the bed sobbing uncontrollably clutching the official letter that arrived that afternoon.
In a scene of subtle synchronicity, the boy saluted the sun as it set in the mid winter sky just as his mother dropped the letter onto the floor.
As of tonight the world as they knew it would take a whole new course, meanwhile the cat went from room to room trying to get either’s attention so it could be fed.
Route 66, Critters 0
“I spy with my little eye something begging with E”
BOOINK!
“hahahha”
“I spy with my little eye something beginning with K”
BANG!
“HAHAHA”
“I spy with my little eye something begging with W”
BOOMP! BOMP! Thud Thud Thud
“Ooops”
“Right I hope you two are happy now “ cried Mum “ If you were that bored we could have stopped for a while gone for a walk. That Wombat has done some serious damage.”
Barbra Cartland NOT
He couldn’t stand it any longer.
It should be paradise.
The four poster bed, the silk sheets, the lace pillows and beautiful views from the second floor balcony just two steps away.
But it wasn’t, it was a hellish experience.
Here he was, the world’s most eligible bachelor in a villa surrounded by middle aged housewives .
The collective sound of heaving breasts making it impossible to sleep on his first vacation in years.
Friday, August 24, 2018
Thursday, August 23, 2018
Captain Goodvibes revisited
Growing up in the outer suburbs of Melbourne in the 1970s was pretty much a waste land.
Magazines like Tracks showed a world a million miles away aesthetically and socially.
It was the mag where even the ads took you somewhere else.
Besides the articles and photography of unattainable places there was the regular Captain Goodvibes strip.
Creator Tony Edwards had a unique style that made hard lines obsolete, Each panel was a wonderland of dots and shading.
Each month the Good Captain with his faithful dog Astro managed to be disgusting, violent and hilarious all in one big mad adventure.
This gem is a short film from where I'm not sure but it faithfully reproduces the comic strip.
Conjures up what Yellow Submarine would have been like if the creators hit the gin and heroin instead of the acid.
Magazines like Tracks showed a world a million miles away aesthetically and socially.
It was the mag where even the ads took you somewhere else.
Besides the articles and photography of unattainable places there was the regular Captain Goodvibes strip.
Tony Edwards and the Captain |
Creator Tony Edwards had a unique style that made hard lines obsolete, Each panel was a wonderland of dots and shading.
Each month the Good Captain with his faithful dog Astro managed to be disgusting, violent and hilarious all in one big mad adventure.
This gem is a short film from where I'm not sure but it faithfully reproduces the comic strip.
Conjures up what Yellow Submarine would have been like if the creators hit the gin and heroin instead of the acid.
Captain Goodvibes
Captain Goodvibes created and drawn by Tony Edwards
is an icon of Australian Cartooning as well as OZ Surf Culture.
is an icon of Australian Cartooning as well as OZ Surf Culture.
Captain Goodvibes was rude, crude and irreverant and was at the cutting edge of Australian humour and graphic design.
Goodvibes status in Australian Cartoon history always seemed pushed to the background with it's creator Tony Edwards only recently building a webssite to capitalise on his popularity.
Wednesday, August 22, 2018
Unpublished works of the great writers in history Part 2
Sherlock Holmes and the shortest case ever.
by Conan Doylie
Holmes lay prostrate over the newspaper his body racked with after convulsions he was suffering due to his bout of excessive vomiting.
“My God Holmes why do you do this to yourself man?” I begged No reply was henceforth.
“You are one of the greatest minds of the age your body and soul do not need this torture”
Slowly Holmes raised his head and his dark watery eyes fixed upon me. He breathed in deeply and with some noise then began:
“You know very well Watson. Isn’t it you who feeds me these narcotics? You fool no one Watson.
What sort of Doctor would willingly give an addict opium to their hearts content unless they had an ulterior motive?”
“But Holmes I’m only here to help..” I said fairly hurt.
Holmes drew another deep breath.
“And that ulterior motive Watson is to get into my trousers. Isn’t it?”
“But..” I attempted
“Don’t think I worked it from day one poor Watson. I know your marriage is a sham, why else would that lovely creature be at home on a Saturday night alone without her husband? Don’t panic I won’t tell a soul, your loyalty has been more worth than your supply of dangerous opiates. Though…”
He drew and deep breath almost a gasp. “ Even though homosexuality is illegal in these enlightened times, if you were charged and placed in a work house you would probably get more man love inside than on the streets and houses of pleasant society”
With this he plopped his face into a pile of vomit.
I stood silent feeling both shocked and embarrassed and slightly aroused.
“Damn it Watson help me up” Holmes suddenly called waving his arms wildly seeking purchase. “I just remembered I must speak to the Queen about her grandson Albert”
“Holmes you know you can never have audience with her Majesty ever again on fear of her reintroducing transportation again and sending you to Australia” I reminded him.
“What the f..”
Obviously Holmes needed more memory jogging as I cut him off.
“Remember last time Her Majesty gave you the pleasure of her company you told her how difficult it was being so brilliant and it was hard always being within five feet of a fuck wit”
“So?” he said his eyes glassy
“So! You were alone in her chamber at the time. You insulted your Queen”
“Oh…well that’s one problem they’ll have to fix themselves then”
Holmes sat back down and collapsed again on the table.
Holmes squished around a bit more at the table trying to separate the newspaper, his fingers and the contents of his stomach, when in his characteristic style he jumped to his feet in a spastic sort of animation. “ We must go. Now Watson’” he cried.
“What is it Holmes, what did you find in the paper?”
“A hat sale Watson, I need a new one I just vomited all over my other one, let’s make haste”
by Conan Doylie
Holmes lay prostrate over the newspaper his body racked with after convulsions he was suffering due to his bout of excessive vomiting.
“My God Holmes why do you do this to yourself man?” I begged No reply was henceforth.
“You are one of the greatest minds of the age your body and soul do not need this torture”
Slowly Holmes raised his head and his dark watery eyes fixed upon me. He breathed in deeply and with some noise then began:
“You know very well Watson. Isn’t it you who feeds me these narcotics? You fool no one Watson.
What sort of Doctor would willingly give an addict opium to their hearts content unless they had an ulterior motive?”
“But Holmes I’m only here to help..” I said fairly hurt.
Holmes drew another deep breath.
“And that ulterior motive Watson is to get into my trousers. Isn’t it?”
“But..” I attempted
“Don’t think I worked it from day one poor Watson. I know your marriage is a sham, why else would that lovely creature be at home on a Saturday night alone without her husband? Don’t panic I won’t tell a soul, your loyalty has been more worth than your supply of dangerous opiates. Though…”
He drew and deep breath almost a gasp. “ Even though homosexuality is illegal in these enlightened times, if you were charged and placed in a work house you would probably get more man love inside than on the streets and houses of pleasant society”
With this he plopped his face into a pile of vomit.
I stood silent feeling both shocked and embarrassed and slightly aroused.
“Damn it Watson help me up” Holmes suddenly called waving his arms wildly seeking purchase. “I just remembered I must speak to the Queen about her grandson Albert”
“Holmes you know you can never have audience with her Majesty ever again on fear of her reintroducing transportation again and sending you to Australia” I reminded him.
“What the f..”
Obviously Holmes needed more memory jogging as I cut him off.
“Remember last time Her Majesty gave you the pleasure of her company you told her how difficult it was being so brilliant and it was hard always being within five feet of a fuck wit”
“So?” he said his eyes glassy
“So! You were alone in her chamber at the time. You insulted your Queen”
“Oh…well that’s one problem they’ll have to fix themselves then”
Holmes sat back down and collapsed again on the table.
Holmes squished around a bit more at the table trying to separate the newspaper, his fingers and the contents of his stomach, when in his characteristic style he jumped to his feet in a spastic sort of animation. “ We must go. Now Watson’” he cried.
“What is it Holmes, what did you find in the paper?”
“A hat sale Watson, I need a new one I just vomited all over my other one, let’s make haste”
Unpublished works of the great writers in history Part 1
As the title suggests, lost classics from those you'd never expect it from
The enchanted wood.
by
E. Ned Blyton-Society
“Dash it and a blow it” huffed Jane “That silly book has fallen again”
The big book of Fairies that Jane was reading had slipped from the carrying basket and plopped itself between her and Johns seats.
"Now I’m going to get my knees dirty."
Jane crouched down and rescued her book from under the seat.
John noticed the man opposite bend forward paying Jane’s activity a bit too much attention. Ever since they entered this compartment he had had his hands in his trouser pockets and shaking something in them.
“Um.. Jane get up please. I think our stop is next” he said. “Got it,” Jane exclaimed.
A look of disappointment overcame the man’s features and he went back to playing in his pockets.
It was their first trip alone to Aunt May’s house. Usually, Mother and Daddy came as well but Daddy hadn’t been home for some time now and Mother didn’t wake up until lunchtime these days and never really changed out of her dressing gown.
Though Aunt May was fun and let them do things Mother and Daddy wouldn’t, their favourite reason for their summer holidays was to return to the enchanted wood.
When they arrived at Puffington Station, Aunt May had arranged for a cab to collect them. The cab driver was a scruffy but happy man who asked John to sit in the front seat with him and was kind enough to ask John what he thought of his magazines that he kept in the glove box. There were just picture books of big muscled men. ”How do like those apples son?” the cabby asked.
“Very firm and ripe” John answered not really knowing what the man was talking about. When the children arrived at Aunt Mays the driver said to John if he wanted he could show him a way to save Aunt May the cab fare. John was too excited to be at their destination that he smiled and ran inside.
There to meet them were cousins Dick and Joan. “Oh it is so good to be back again”
But instead of happy talk and hugs, Dick and Joan both wore long faces.
“Oh, Jane and John it so terrible what they have done. We’re so glad you have come”
Said Joan. “What’s wrong? What’s happened?” asked John and Jane together.
“The enchanted wood” began Dick “It’s all gone”
“No” exclaimed both John and Jane. “How?”
“The council has bulldozed the wood and the little people are lost” cried Joan.
“We must go investigate,” said John.
The children ran through the field that ran along the back of Aunt Mays house and jumped the brook. There in front of them where the lush trees and heavy ferns of the enchanted wood once stood was a construction crew building a stadium and huge car park. Together the four of them approached a large man with a hard hat on.
“What have you done to our wood and what of the fairy people” yelled Jane
Two questions were obviously too much for this man because he replied “What?”
“Why is this happening?” cried John.
“Oh, I see” began the large man “The wood and the insects”
“Fairies” Joan corrected.
“Right, well what can I say kids. It takes a lot of money to build a stadium like this and on week ends a lot of mum’s and dad’s wanna see their kids play, so that means a lot of cars. Car parks can’t make themselves not like trees they pop everywhere, did you know I’m growing one in my lounge room?”
“What about our friends the Fairy people?” sobbed Jane
“Oh, yeah. Them. Well, they put up a good fight, with their itchy spells and fart bombs, but when the guys realized that when you squash them they were made of raspberry jam, the battle was over. They took off somewhere else”
“You horrid horrid man” said Dick “Where did they go?”
“Couldn’t give a toss, now piss off, this is a building site and I got a monster turd poking it’s head out and your in the way of a good read on the porta-loo”
The children had no idea what the large man was talking about as he turned and walked away leaving them sad and confused.
As the children walked slowly back to Aunt Mays a voice whispered. ”Pssst Hey!”
The children stopped. “Over here” the voice called. “It’s me”
“Ding” cried the children altogether. A small man with pointy ears, a green vest and a large hat stepped out from behind a shrub.
“You’re alright,” said Joan as she went to hug the fairy.
“But we lost so many.” Ding said as he hung his head and sobbed “Poor poor thing” comforted Jane.
The children and Ding sat in the long grass warming themselves in the summer sun, they waited for Ding to compose himself.
“It was so horrid.” Ding said eventually “But we were badly beaten, but we have regrouped and have made a decision” But the children just looked back at him with blank expressions, he continued anyway. “We will bring forth the bad majik, we have gathered the witches and asked for and paid dearly for their services. We will regain what is ours at any cost” By now Ding was hopping up and down , while Jane and Joan were making daisy chains and Dick was taking a nap. Ding continued
“Beware, my little friends, remove yourselves from the zone only fire, brimstone and gnashing of teeth await those who stay” and with that, he twirled three times quickly and disappeared in a puff of smoke. “I’m hungry.” said Dick “Me too.” said the others and they went back home for dinner.
That night an explosion of devastating ferocity blew half the town of Puffington apart including the new stadium and its surrounds. At first, it was thought to be the work of Al Quida operatives working out of the south of England but this was discounted when no signs of detonation were found and large amounts of Raspberry jam were discovered all over the blast site.
The children spent the rest of their summer holidaying at Brighton.
The enchanted wood.
by
E. Ned Blyton-Society
“Dash it and a blow it” huffed Jane “That silly book has fallen again”
The big book of Fairies that Jane was reading had slipped from the carrying basket and plopped itself between her and Johns seats.
"Now I’m going to get my knees dirty."
Jane crouched down and rescued her book from under the seat.
John noticed the man opposite bend forward paying Jane’s activity a bit too much attention. Ever since they entered this compartment he had had his hands in his trouser pockets and shaking something in them.
“Um.. Jane get up please. I think our stop is next” he said. “Got it,” Jane exclaimed.
A look of disappointment overcame the man’s features and he went back to playing in his pockets.
It was their first trip alone to Aunt May’s house. Usually, Mother and Daddy came as well but Daddy hadn’t been home for some time now and Mother didn’t wake up until lunchtime these days and never really changed out of her dressing gown.
Though Aunt May was fun and let them do things Mother and Daddy wouldn’t, their favourite reason for their summer holidays was to return to the enchanted wood.
When they arrived at Puffington Station, Aunt May had arranged for a cab to collect them. The cab driver was a scruffy but happy man who asked John to sit in the front seat with him and was kind enough to ask John what he thought of his magazines that he kept in the glove box. There were just picture books of big muscled men. ”How do like those apples son?” the cabby asked.
“Very firm and ripe” John answered not really knowing what the man was talking about. When the children arrived at Aunt Mays the driver said to John if he wanted he could show him a way to save Aunt May the cab fare. John was too excited to be at their destination that he smiled and ran inside.
There to meet them were cousins Dick and Joan. “Oh it is so good to be back again”
But instead of happy talk and hugs, Dick and Joan both wore long faces.
“Oh, Jane and John it so terrible what they have done. We’re so glad you have come”
Said Joan. “What’s wrong? What’s happened?” asked John and Jane together.
“The enchanted wood” began Dick “It’s all gone”
“No” exclaimed both John and Jane. “How?”
“The council has bulldozed the wood and the little people are lost” cried Joan.
“We must go investigate,” said John.
The children ran through the field that ran along the back of Aunt Mays house and jumped the brook. There in front of them where the lush trees and heavy ferns of the enchanted wood once stood was a construction crew building a stadium and huge car park. Together the four of them approached a large man with a hard hat on.
“What have you done to our wood and what of the fairy people” yelled Jane
Two questions were obviously too much for this man because he replied “What?”
“Why is this happening?” cried John.
“Oh, I see” began the large man “The wood and the insects”
“Fairies” Joan corrected.
“Right, well what can I say kids. It takes a lot of money to build a stadium like this and on week ends a lot of mum’s and dad’s wanna see their kids play, so that means a lot of cars. Car parks can’t make themselves not like trees they pop everywhere, did you know I’m growing one in my lounge room?”
“What about our friends the Fairy people?” sobbed Jane
“Oh, yeah. Them. Well, they put up a good fight, with their itchy spells and fart bombs, but when the guys realized that when you squash them they were made of raspberry jam, the battle was over. They took off somewhere else”
“You horrid horrid man” said Dick “Where did they go?”
“Couldn’t give a toss, now piss off, this is a building site and I got a monster turd poking it’s head out and your in the way of a good read on the porta-loo”
The children had no idea what the large man was talking about as he turned and walked away leaving them sad and confused.
As the children walked slowly back to Aunt Mays a voice whispered. ”Pssst Hey!”
The children stopped. “Over here” the voice called. “It’s me”
“Ding” cried the children altogether. A small man with pointy ears, a green vest and a large hat stepped out from behind a shrub.
“You’re alright,” said Joan as she went to hug the fairy.
“But we lost so many.” Ding said as he hung his head and sobbed “Poor poor thing” comforted Jane.
The children and Ding sat in the long grass warming themselves in the summer sun, they waited for Ding to compose himself.
“It was so horrid.” Ding said eventually “But we were badly beaten, but we have regrouped and have made a decision” But the children just looked back at him with blank expressions, he continued anyway. “We will bring forth the bad majik, we have gathered the witches and asked for and paid dearly for their services. We will regain what is ours at any cost” By now Ding was hopping up and down , while Jane and Joan were making daisy chains and Dick was taking a nap. Ding continued
“Beware, my little friends, remove yourselves from the zone only fire, brimstone and gnashing of teeth await those who stay” and with that, he twirled three times quickly and disappeared in a puff of smoke. “I’m hungry.” said Dick “Me too.” said the others and they went back home for dinner.
That night an explosion of devastating ferocity blew half the town of Puffington apart including the new stadium and its surrounds. At first, it was thought to be the work of Al Quida operatives working out of the south of England but this was discounted when no signs of detonation were found and large amounts of Raspberry jam were discovered all over the blast site.
The children spent the rest of their summer holidaying at Brighton.
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